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Chautona Havig

Chautona Havig

Using story to connect YOU to the Master Storyteller

So You Think Modern Life Is a New Concept?

by Chautona Havig · 4 Comments

Modernity is Relative

Links in this post may be affiliate links, which provide me with a small commission at no extra expense for you.

Little Town on the PrairieModernity is relative.

“Our grandmothers would turn in their graves, but after all, these are modern times.”

I don’t know if that’s an exact quote or a paraphrase, but Ma Ingalls said that or something awfully close to it in Little Town on the Prairie. What was she talking about? Sewing a long seam down the center of a sheet on a… *gasp!* sewing machine instead of lapping it by hand.

What would those grandmothers think of California King-sized bed sheets with no seam! Shocker! Modernity run rampant!

And we’re just talking about sheets! Twenty years later, people could afford cameras. (Madeline Brown’s camera in Sweet on You was a dollar. Just a dollar! (I feel like Meg Ryan in You’ve Got Mail. “I only have a dollar. Just a dollar!”

They had telephones, bicycles, motor cars.

Girls didn’t have to sit in general stores sewing shirts for homesteaders. They could be nurses, clerks, and bank tellers.

Those with a more traditional outlook, those who still remained at home without employment, were still free to roam the city without causing gossip.

suffrage
Courtesy of LSE Library

They joined causes and furthered their educational pursuits because it interested them.

And I don’t think feminism can take credit for it.

Some would say I’m in denial, or I have an agenda against girls doing anything but crocheting doilies while they wait for a prince charming to arrive at their doorstep to inform them that he’s there to take care of them forever and all time. Yeah. Because that happens.

Wait. It did. For my daughter. Whatever, it usually doesn’t happen. I’ve got six more daughters who will attest to that little fact.

No, I don’t think feminism can take credit for young women having more opportunities at the turn of the 20th century. The world changed. Household work took less time, and people moved from farms to the city. They had so many new conveniences that their life more resembled ours than that of Laura Ingalls just twenty years earlier (those in the cities, I mean). Without any need for them at home, what else were girls to do?

I imagine that change was rather difficult for some people to handle.

Madeline’s Aunt Louisa is one such person. Like many of us when modernity encroaches on our lives, strips away traditions that we value, and turns her niece into a “meddlesome chit,” she pulls back, grasping onto the familiar.

Madeline’s complaints that her aunt’s notions would have been outdated back in her mother’s day are valid.

modernityDon’t we do that, though? When one thing sends us running, we swing to the opposite extreme—as if on a pendulum. In fact, I wrote a whole blog post on that once. You can read it, HERE.

I guess it’s kind of like why, when a father first sees his little girl dressed in an evening gown, he’s ready to lock her in the basement for the rest of her life.

Hmmm… is that legal? I do have six unmarried daughters…

Instead of saying:

“Um, that cleavage is advertising what you do not have for sale,”

…he just withdraws her from the… market?

Yeah, that analogy got away from me.

But anyway, my point is that sometimes people react to new things in not so great ways. We overreact.

And you know what? 

Just like with Madeline’s Aunt Louisa, that overreaction can and usually does push people away. And c’mon. There’s nothing new under the sun, Louisa.  You deplored the marching and protesting of the suffragettes in Rockland.

Those hussies!

In your day, young ladies reserved “the vote” for what kind of punch to serve at the ladies’ bazaar. All this modern marching and protesting. You’ll be glad when the girls get it out of their systems, right?

Because that sort of unladylike behavior couldn’t possibly happen almost 120 years from now…

I said it before. I’ll say it again.  Modernity is relative.

And Solomon had it right. There’s nothing new under the sun.

And Louisa?

Just be glad you didn’t see the hats some of THIS year’s marchers were wearing.

Even YOU wouldn’t touch one of those suckers!

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Comments

  1. Diane says

    March 22, 2017 at 5:51 pm

    Yup, in architecture Modern was underway before my parents (now in their 80s) got married. Then there was Post-Modern. I’m not sure what comes after that, but it probably already has 😉 And Modern Art has been around for a long time–nearly 100 years. I’ve lost track of how many art movements there’ve been since!

    Reply
    • Chautona Havig says

      March 22, 2017 at 7:27 pm

      And our ideas of modernity will CRACK UP our grandkids and great grandkids. “You actually had to hold your phones? How WEIRD!”

      Reply
  2. Peggy says

    March 21, 2017 at 5:20 am

    It’s been a while since I’ve read any of your books. I once had read almost all of them but it looks like I’ve now got some catching up to do!

    Reply
    • Chautona Havig says

      March 21, 2017 at 5:53 am

      Hi, Peggy! Well, I’ve got quite a few out in the past couple of years. I’d recommend starting with the first Madeline, though. and it’s on sale for .99 right now, so that’s always good!

      Reply

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The Because Fiction Podcast

The Because Fiction Podcast
The Because Fiction Podcast

Taking the pulse of Christian fiction

Episode 475: A Chat with D. T. Powell
byChautona Havig

There aren’t enough authors willing to tackle the difficult stories. There just aren’t.  Many (guilty here!) feel inadequate to the task, want to escape the tough stuff rather than confront it–so many reasons. Listen in as I chat with D. T. Powell about what made her write, With Mercy’s Eyes.

note: links may be affiliate links that provide me with a small commission at no extra expense to you.

 Loved chatting with Powell about her heart for those who often find it hard to interact with Christians–whose choices make others uncomfortable.  Powell shows love and compassion without ignoring Biblical truth, and the result is a powerful story we could all learn from.

With Mercy’s Eyes by D. T. Powell

He turned his back on God a long time ago. But God never forgot him.

Six months after struggling actor Lane Harris lost his husband in a tragic accident, he lands a movie role guaranteed to put him on the Hollywood map. But one producer holds the power to shut down his shot at stardom—and she’s a Christian. If she finds out he’s gay, it’s over. Lane is careful not to say too much around her.

When an alcohol-fueled tryst with his co-star ends in humiliation, and his landlord hands him an eviction notice, Lane looks for someone to talk to. He finds a confidant in the Christian producer. After a night of too little sleep and not enough coffee, he lets slip his sexual orientation. Instead of a verbal flogging, the woman recounts recently losing her own husband.

The only Christians Lane knows condemn him upon learning he’s gay. But this one is different. She doesn’t embrace his sexuality, but instead of treating him with disdain, she offers compassion. Christians are supposed to hate people like him. So, why doesn’t she? – – – – – – – With Mercy’s Eyes by D. T. Powell is an issue-facing, contemporary novel for adult churched Christians. It addresses homosexuality and same-sex attraction from a Biblical perspective without falling into the trap of the extreme responses we too often see from modern churches. It holds similar views to Jackie Hill Perry, Becket Cook, Rosaria Butterfield, and Christopher Yuan.

Learn more about on WEBSITE and follow on GoodReads and BookBub.

 

withmercyseyes.com

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