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Chautona Havig

Chautona Havig

Using story to connect YOU to the Master Storyteller

Preach It, Baby! Uh, no. Don’t. Just Don’t.

by Chautona Havig · 2 Comments

Preaching belongs in a pulpit, not your next novel. I think this is why Christian fiction has a bad rap. No one wants a preachy book. via @chautonahavig

One of the best compliments I get is when someone sends me an email or leaves a review that says, “I like how your books are clean and point us to Jesus, yadda yadda yadda, but are not preachy.”

So what’s so bad about preachy Christian fiction?  (I’m a Christian fiction author, for cryin’ out loud.)

Forget that, what is “preachy” fiction?

In case preachy Christian fiction isn’t obvious, I’m going to define it my way.  Pretending to write a novel when you really are just trying to get someone to see something your way. Preachy doesn’t have to be about God, either. It can be political, historical, sociological, scientific…

And why is that so wrong? Well, aside from the arrogance of it, and aside from the “bait-and-switch” aspect of it–I mean, really, it’s a lie.  You promised a story.  They got a sermon wrapped in a storybook cover. It’s deceptive. Aside from all of that, it’s wrong because as authors, deep down we know our readers don’t appreciate it.

I spent a long time trying to figure out why I’ve always tried to avoid it. I mean, it’s just one of those things that you innately know–like “don’t use grammar wrongly” or “refrain from pretension, and eschew the excessive use of descriptive words that modify verbs.”  😉  Yeah.  That.

Then it hit me.  Cardinal rule for novelists–the first thing your editors find and send back for rewrites. Show, don’t tell.

Preach It, Baby! Uh, no. Don't. Just Don't.

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That’s what’s wrong with preachy Christian fiction. 

Preachy Christian fiction breaks that cardinal rule. You’re telling rather than showing.

It’s why people seem to resonate with Willow.  She lives her life.  She doesn’t spout off to the world as to why they need to be her.  She just lives.  And her life shows the beauty of it.

Then people, like Ralph, are drawn to it.  It’s showing not telling.  If I had pontificated about the superiority of Willow’s semi-electric-free living and told the world how amazing she was rather than let readers see it for themselves, I wouldn’t have emails that come in almost weekly saying, “I want that life.”

They want it because they see the fruit of that life in her, not because they were informed that they should think it is something they should want.

Look, characters might preach in a book

They might be that kind of person who can’t help but teach and preach all the time.  We all know people like that. That’s not what I’m talking about.  By writing characters like that, I–or any author for that matter–am/is just writing realistic characters. They might be storytellers who hear something and say, “That reminds me of a time…”  I’m never like that, of course. 😉  But when things seem contrived and set up only to show a point, when the narrative goes off on a soliloquy–gag–you get the picture.

Themes are one thing.  Every book has a theme. Even if the author doesn’t intentionally use one, themes emerge. Fiction teaches.  That’s not preaching. That’s just the byproduct of a good story–you learn.  But when the book spends more time manipulating characters into behaving in ways with the obvious intention of trying to convert the reader to a different viewpoint, the story stinks.  Showing why people think or act in certain ways is one thing.  That’s the point of fiction.

But if people want a sermon, they’ll find a preacher to do that preaching.

I’m not a preacher.

So, I’ll keep writing.  I’ll keep cutting out scenes that, while not intentionally preachy, tell far more than they show.  First, because it’s better writing that way.  But also, because in doing so, I avoid the appearance of preachy.  And while it’s not “evil”, it’s almost as bad.

And when I want to get my sermon on, I’ll blog… like this.

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Comments

  1. Stefany says

    February 7, 2015 at 3:43 am

    Haha! That’s whatI tell my friends when I recommend you…”she’s a Christian author, but her books aren’t preachy.”

    I am so disappointed with books when the story is going along so well, then the last 10 pages are a sermon given by the hero/heroine, and the hero/heroine’s romantic counterpart repents because of their sermon. Not realistic, folks! And really, why do those authors always think that the only reasons people lose faith are death of a family member or having given in to premarital sex as a teenager? Or that people who weren’t born into Christian homes don’t want to become Christians because they don’t feel worthy of Christ’s grace? Those scenarios are overused and way too often, unbelievable.

    I love how people in your books are from all walks of life and circumstances and have more depth than that.

    Reply
  2. Mary says

    February 6, 2015 at 12:22 pm

    Love it. Love your books. I am constantly inspired by your characters to be a better person, and encouraged to draw closer to the Lord. Have I been convicted? Yes! But instead, opened my eyes through a story or dialogue. And, receiving a birthday card from you made my day. Thank you for sharing your heart and imagination with us. Your novels are a gift!

    Reply

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Loved our conversation–life in Florida during the late 19th century, authors, books, and movies she reminded me of, and even…

THE NEXT BOOK! Can’t wait to see what publisher snaps that one up! EEEP!

The Amazing Crab Alley Revival by Sharon Wilharm

In 1897 Florida, a widowed woman searching for purpose finds herself drawn into an unexpected friendship—and a revival that will transform an entire town.

The year is 1897 and wealthy widow Lydia Culpepper is evaluating her mundane existence. For sixty-three years, she’s faithfully gone through the motions of fulfilling everyone else’s expectations for her life, but nothing she does is ever enough. She longs for something more.

When a young boy comes to her house in search of his missing coon dog, she gets her wish. She meets Emily Reed, a young finishing school instructor, and Opal Jackson, an Irish single mother, and the three women join together on a mission that turns the First Baptist Church on its head.

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