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Chautona Havig

Chautona Havig

Using story to connect YOU to the Master Storyteller

Preach It, Baby! Uh, no. Don’t. Just Don’t.

by Chautona Havig · 2 Comments

Preaching belongs in a pulpit, not your next novel. I think this is why Christian fiction has a bad rap. No one wants a preachy book. via @chautonahavig

One of the best compliments I get is when someone sends me an email or leaves a review that says, “I like how your books are clean and point us to Jesus, yadda yadda yadda, but are not preachy.”

So what’s so bad about preachy Christian fiction?  (I’m a Christian fiction author, for cryin’ out loud.)

Forget that, what is “preachy” fiction?

In case preachy Christian fiction isn’t obvious, I’m going to define it my way.  Pretending to write a novel when you really are just trying to get someone to see something your way. Preachy doesn’t have to be about God, either. It can be political, historical, sociological, scientific…

And why is that so wrong? Well, aside from the arrogance of it, and aside from the “bait-and-switch” aspect of it–I mean, really, it’s a lie.  You promised a story.  They got a sermon wrapped in a storybook cover. It’s deceptive. Aside from all of that, it’s wrong because as authors, deep down we know our readers don’t appreciate it.

I spent a long time trying to figure out why I’ve always tried to avoid it. I mean, it’s just one of those things that you innately know–like “don’t use grammar wrongly” or “refrain from pretension, and eschew the excessive use of descriptive words that modify verbs.”  😉  Yeah.  That.

Then it hit me.  Cardinal rule for novelists–the first thing your editors find and send back for rewrites. Show, don’t tell.

Preach It, Baby! Uh, no. Don't. Just Don't.

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That’s what’s wrong with preachy Christian fiction. 

Preachy Christian fiction breaks that cardinal rule. You’re telling rather than showing.

It’s why people seem to resonate with Willow.  She lives her life.  She doesn’t spout off to the world as to why they need to be her.  She just lives.  And her life shows the beauty of it.

Then people, like Ralph, are drawn to it.  It’s showing not telling.  If I had pontificated about the superiority of Willow’s semi-electric-free living and told the world how amazing she was rather than let readers see it for themselves, I wouldn’t have emails that come in almost weekly saying, “I want that life.”

They want it because they see the fruit of that life in her, not because they were informed that they should think it is something they should want.

Look, characters might preach in a book

They might be that kind of person who can’t help but teach and preach all the time.  We all know people like that. That’s not what I’m talking about.  By writing characters like that, I–or any author for that matter–am/is just writing realistic characters. They might be storytellers who hear something and say, “That reminds me of a time…”  I’m never like that, of course. 😉  But when things seem contrived and set up only to show a point, when the narrative goes off on a soliloquy–gag–you get the picture.

Themes are one thing.  Every book has a theme. Even if the author doesn’t intentionally use one, themes emerge. Fiction teaches.  That’s not preaching. That’s just the byproduct of a good story–you learn.  But when the book spends more time manipulating characters into behaving in ways with the obvious intention of trying to convert the reader to a different viewpoint, the story stinks.  Showing why people think or act in certain ways is one thing.  That’s the point of fiction.

But if people want a sermon, they’ll find a preacher to do that preaching.

I’m not a preacher.

So, I’ll keep writing.  I’ll keep cutting out scenes that, while not intentionally preachy, tell far more than they show.  First, because it’s better writing that way.  But also, because in doing so, I avoid the appearance of preachy.  And while it’s not “evil”, it’s almost as bad.

And when I want to get my sermon on, I’ll blog… like this.

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Comments

  1. Stefany says

    February 7, 2015 at 3:43 am

    Haha! That’s whatI tell my friends when I recommend you…”she’s a Christian author, but her books aren’t preachy.”

    I am so disappointed with books when the story is going along so well, then the last 10 pages are a sermon given by the hero/heroine, and the hero/heroine’s romantic counterpart repents because of their sermon. Not realistic, folks! And really, why do those authors always think that the only reasons people lose faith are death of a family member or having given in to premarital sex as a teenager? Or that people who weren’t born into Christian homes don’t want to become Christians because they don’t feel worthy of Christ’s grace? Those scenarios are overused and way too often, unbelievable.

    I love how people in your books are from all walks of life and circumstances and have more depth than that.

    Reply
  2. Mary says

    February 6, 2015 at 12:22 pm

    Love it. Love your books. I am constantly inspired by your characters to be a better person, and encouraged to draw closer to the Lord. Have I been convicted? Yes! But instead, opened my eyes through a story or dialogue. And, receiving a birthday card from you made my day. Thank you for sharing your heart and imagination with us. Your novels are a gift!

    Reply

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The Because Fiction Podcast

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Episode 599: A Chat with Frank McKinney
byChautona Havig

Few people tackle the topic of hell in Christian fiction, so I was curious to see what Frank McKinney would do with it in his Hell’s Heaven. Listen in as we talk about his inspiration and what made him tackle this tough topic.

note: links may be affiliate links that provide me with a small commission at no extra expense to you.

Hell’s Heaven by Frank McKinney

Once damned to Hell, it’s forever…or is it? Three “good and godly” people die in the same instant on December 19, 2037: 94-year-old Alexander in Germany, 29-year-old Carolina in Brazil, and 64-year-old Eddie in Butte, Montana. Eagerly, they find themselves in line together outside the Pearly Gates, expecting to be recognized for their sanctified lives and then welcomed into Heaven. Instead, they are violently plucked out of line by angels-turned-demons and cast down into Hell, where they are met at one of the three fiery gates by Judas, Jesus’s betrayer. What lies on the other side of Hell’s gates is beyond comprehension: a sprawling, stench-filled, cavernous realm with a low ceiling of opaque, thick, colorless glass. The voices of the damned release a chorus of everlasting despair. It’s said that no one ever wakes up in Heaven surprised that they are there. Well, Alexander, Carolina, and Eddie are shocked and dismayed that they have been condemned to Hell after the exceptional lives they believe they have led. This must be a mistake! Is this really their fate – forever? Even as they are subjected to Satan’s diabolical and unrelenting mental and physical torments, Alexander, Carolina, and Eddie discover cryptic signs they believe are sent from their loved ones in the heavenly realm. Then when they witness rare bolts of brilliant light wherein a few condemned seemingly disappear, they start to wonder … During the three days between His crucifixion and resurrection, Jesus went to Hell and freed countless condemned sinners. Could there be a way out of Hell for Alexander, Carolina, and Eddie?

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hidden chalet where a courageous woman keeps hunted children safe, fed, and far
from Nazi hands. Driven by desperation, parents face an agonizing choice: part
with their children forever, or risk their lives by keeping them close.
Hans Hartmann arrives at Chalet Versteck with a hardened
heart and a terrified little girl in tow. He found young Grete abandoned at a
train station and couldn't leave her behind. But the chalet is far from the
haven they were promised.
The air here is thick with secrets. Children vanish in the
dead of night. And before Hans can uncover the truth, a high-ranking Nazi
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hidden chalet where a courageous woman keeps hunted children safe, fed, and far
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heart and a terrified little girl in tow. He found young Grete abandoned at a
train station and couldn't leave her behind. But the chalet is far from the
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dead of night. And before Hans can uncover the truth, a high-ranking Nazi
officer is murdered right inside their sanctuary.
With the Gestapo closing in, the chalet becomes a pressure
cooker of suspicion. To save Grete and escape with his own life, Hans must
untangle a web of deadly lies. In a place where trust is a liability, Hans will
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