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Chautona Havig

Chautona Havig

Using story to connect YOU to the Master Storyteller

The Super-Secret Confessions of a Vulneraphobe

by Chautona Havig · Leave a Comment

I have thick skin.  I’d like to say it’s my natural personality, but I don’t really think it is.  I suspect if I’d been born in any other family I might have ended up a very different person, and probably a sensitive one at that. My parents did a great job of teaching me how to let negativity and criticism roll of my back. I remember lessons on how to evaluate someone’s opinion of me in light of:

  1. My respect for the person.
  2. That person’s position in my life.
  3. How that person’s opinion lines up with Scripture.

The point was that if I didn’t have respect for the person giving the opinion, why did I care what they thought of me?  If that person held no authority over me, I was free to disregard if I decided I didn’t agree with the assessment.  And, they stressed that God’s opinion was the only one that truly counted.

I went through my school years always being the new kid, always being the outsider.  I went to private schools with wealthy kids.  They mocked our ’63 pea-green Ford Ranchero (in 1979).  We got a new car in 1980–a brand-spankin’ new (or so I thought) Ford Pinto. I showed up for the first day of school of the new year in our “new” car and the kids who all arrived in Lincolns, Cadillacs, Mercedes, and BMWs laughed.

“Look–she’s got a Pinto.”

I shrugged it off.  If people judged my worth by the car our family could afford, then I didn’t care what they thought.  I truly didn’t care.  I was ten.

Those lessons and all that practice shrugging off worthless opinions eventually paid off.  Eighth grade came, and at the new school, kids liked me.  I was shocked.  One girl, Kathleen, wrote in my “Autograph Book” (a notion I got from reading A Tree Grows in Brooklyn),

The best thing about you is that you are always the same.

My self-confidence plummeted. 

To an eighth grade, thirteen-year-old girl, that’s the equivalent of saying, “You’re boring.”  But my mom saw it differently.  She read all the little notes that my friends–yes friends–wrote and pointed to Kathleen’s.  “That’s the best compliment you could ever get right there.”

I didn’t appreciate it then like I do now.  I wish I knew where Kathleen Lunde is now.  I’d like to thank her.

So why does a gal who really couldn’t care less what people think of her consider herself “vulnera-phobic”?

The Super-Secret Confessions of a Vulneraphobe- sometimes it's all about being vulnerable

Note: links may be affiliates which means I receive a small commission on any purchase you make but at no extra expense to you! Now that’s being vulnerable!  😉

The Super-Secret Confessions of a Vulneraphobe

When you learn the lessons my parents taught me, you also learn how to turn off “reception” to things that otherwise might dig.  You keep conversations with acerbic people on a superficial level.  You learn to remind yourself that “It’s okay if people are wrong,” and you develop a bit of a shell–that “thick skin” people talk about.

But I’m an author.

Authors can’t stay hidden, private, guarded.  We’re forced to make ourselves vulnerable to the world.  How?  We put our work out there for people to enjoy– or not.

And that’s where vulnerability strikes.

Look, when I say I don’t expect everyone to like my books, I mean it.  It’s not possible.  I don’t like every book my favorite authors write!  I quit reading my top favorite Christian author, Michael Phillips, for years because he had a series that I felt he took too far for my tastes.  I understood why he did, but because of my own–dare I say it?–vulnerabilities, I couldn’t stomach it.

But despite knowing, feeling, and living that truth, putting your work out for criticism still requires a lot of fortitude.  Why?  Because whether you like it or not, whether you mean to or not, you put part of the most private parts of yourself on display when you share your fiction with the world.

The interesting thing is, it’s never the parts people think.

Reviews that say, “It wasn’t my cup of tea.  I didn’t like the main character.  I found the plot boring” and things like that– love them.  They’re genuine and I support that. When it’s an implausible book such as Prairie or Justified Means, I absolutely understand when people say, “It was too impossible to believe.”

But being vulnerable–that moment when you step out of your comfort zone and explore new ideas, you open yourself up not just to criticism, but to attack.

Look, I get dozens, sometimes hundreds of emails a week.  I answer every one (although not always as quickly as I’d like).  But the hardest ones are the ones where I’m accused of something I didn’t say or mean to convey.  Because in those, as an author, I doubt myself.  Is it a valid criticism if you weren’t clear enough?  Or is it impossible to be clear to every single reader on every single point?  I know the answer, but I don’t like it.

So what is the point? 

I’m an author, so it shouldn’t surprise you that it took me 821 words to get there.

When you criticize someone’s work, imagine yourself on the other side of that screen (here’s a POST about being helpful with reviews).  Imagine how you’d want someone to convey their problem with what you wrote.  Imagine how your words will help him to do better.  Be kind.  Be straight-forward.

You don’t have to do the whole “compliment sandwich” thing.

Just don’t fire the criticism at her in a Tomahawk missile. Because being vulnerable is scary. It just is. And please, if you’re just venting your own frustrations on the world and projecting them into that author’s work… hit the delete key. You’d want her to do the same for you.

But most of all, be kind to yourself too.

Sometimes criticism is necessary. You can’t avoid it. So, don’t beat yourself if you find yourself in the position of having to share honesty that isn’t raving praise.

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The Because Fiction Podcast

The Because Fiction Podcast
The Because Fiction Podcast

Taking the pulse of Christian fiction

Episode 471: A Chat with Heather Wood
byChautona Havig

I absolutely judge books by their covers, and as one of the top covers I’ve seen all year, Sowing Hope doesn’t disappoint. Listen in to learn how Heather Wood weaves parts of history many don’t know much about into amazing stories!

note: links may be affiliate links that provide me with a small commission at no extra expense to you.

I love that Heather writes about skilled Irish artisans before the potato famine. 

She also shared about how she wrote to show how slavery was getting worse, how she deals with an actual martyr, and about the Underground Railroad.

Sowing Hope by Heather Wood

Encounter the True Story of Abolitionist Editor Elijah Lovejoy

Patrick Gallagher has done all he can—and it hasn’t been enough. Now in his mid-thirties, he battles discouragement over his inability to make a difference in eradicating slavery. Longing to regain the hope and passion that once fueled his calling, Patrick sets out from his home in Maryland to meet his hero, Elijah Lovejoy, an anti-slavery editor in Missouri.

Anna Markland actively serves her community and those traveling on the Underground Railroad. But her efforts feel small when she is constantly beset by headaches that leave her prostrate for days on end. When the enigmatic Mr. Gallagher enters her life, she discovers their hearts beat with the same dreams. Yet Anna knows that if she allowed him to pursue her, her weakness would hinder him from reaching his potential as an abolitionist leader.

In the free states along his path, Patrick discovers that the Black and abolitionist communities are anything but free. Violent mobs, hateful rhetoric, and spineless politicians create a tinderbox of danger. What will he sacrifice for the cause he’s devoted his life to—and will God finally use him to make the difference he longs to see in society?

Don’t miss the first interview with Heather HERE.

Learn more about Heather on her WEBSITE and follow her on GoodReads and BookBub.

Like to listen on the go? You can find Because Fiction Podcast at:

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Episode 471: A Chat with Heather Wood
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